Entertainment
Veteran Actor Jide Kosoko Cautions Artistes Against Public Rows
Veteran actor, Prince Jide Kosoko, has called for harmony, professionalism and mutual respect among Nigerian actors as concerns mount over the rising trend of online feuds within the film industry.
The popular actor also known as Jide Babs, directed his appeal particularly at female Yoruba actors, who have gained a reputation for airing their personal grievances on the social media.
Kosoko reminded them that their actions will shape the history of tomorrow, adding that as mothers and future grandmothers, they should be mindful of the legacy, cautioning that the internet never forgets.
He went further to point out that those who had previously been involved in such fierce disputes have since abandoned the practice, expressing concern that it is now the younger ones — whom they consider their children and who were taught the principles of respect who are keeping such disputes alive.
He said, “We trained many of you. We watched you grow. And while we are proud of how far many of you have come, it pains us to see the house we built being torn apart by ego-driven conflicts.”
He emphasised that, as influential personalities and custodians of culture, they have a duty to set positive examples by upholding the principles of honour, integrity, and proper conduct as rooted in Nigerian traditions.
“Even those who once had disagreements in the past have since embraced peace. But this new wave has taken things to a level that brings shame and discomfort to all of us,” he said.
“We urge you to learn from your male colleagues, who despite differences, have found mature ways to handle conflicts without public disgrace”, he said.
Prince Kosoko urged those involved in the quarrels to channel their efforts into self-development, career progress, and fostering harmony, noting that public confrontations achieve nothing but harm everyone involved.
He also revealed that senior figures in the industry would soon gather for a roundtable with the parties concerned and key stakeholders, with the aim of settling all outstanding matters peacefully.
“We appeal to all to honour this call when it comes. Anyone who chooses to ignore it would be clearly choosing disunity over peace, and destruction over growth. Whatever the issues are, you will have the opportunity to express yourself and we will certainly ensure an amicable settlement”, he said.
Kosoko assured the public and all concerned parties that elders are diligently working behind the scenes to achieve a lasting resolution.
“We remain dedicated to restoring stability, honour, and mutual respect within the industry. It won’t be long before the results of our efforts become clear to everyone,” he concluded.
-Leadership
Education
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
The Executive Director/Chief Executive Officer of the National Film and Video Censors Board (NFVCB), Dr Shaibu Husseini, has called for stronger distribution frameworks within Nigeria’s film industry to ensure that locally produced content achieves global visibility.
Dr Husseini made this call while delivering the keynote address at the opening ceremony of the 2026 edition of the Coal City Film Festival, held in Enugu.
Welcoming participants to the festival, Dr Husseini expressed his personal delight at hosting the event in Enugu, his birth state, noting the city’s rich cultural heritage and longstanding contributions to Nigeria’s creative landscape.
He commended the festival organisers, particularly the Festival Director, Uche Agbo, for their resilience and commitment in sustaining the initiative.
According to him, the Coal City Film Festival has grown into a significant cultural platform and a must-attend cinematic event in South East Nigeria.
Speaking on the festival’s theme, “Local Stories, Global Screens,” Dr Husseini emphasised the importance of authenticity in storytelling. He noted that films rooted in local realities, languages, and cultural truths often resonate more strongly with global audiences.
He cited notable Nigerian productions such as “King of Boys” by Kemi Adetiba, “The Wedding Party” by Mo Abudu, “Anikulapo” by Kunle Afolayan, “Black Book” by Editi Effiong, and “Lionheart” by Genevieve Nnaji as examples of culturally grounded stories that have gained international recognition on platforms such as Netflix and at global film festivals.
While acknowledging the growth in film production across Nigeria, the NFVCB boss identified distribution as a major bottleneck in the industry. He observed that many high-quality films struggle to reach audiences both locally and internationally due to limited distribution channels.
Dr. Husseini therefore urged film festivals across the country to evolve beyond networking platforms into active marketplaces where filmmakers can secure distribution deals. He stressed that festivals must attract distributors, exhibitors, streaming platforms, and marketers to create tangible opportunities for filmmakers.
“Film festivals must become gateways to distribution where filmmakers leave not just with applause, but with real opportunities,” he said.
Reaffirming the Board’s commitment to industry development, Dr. Husseini stated that the NFVCB has continued to reposition itself as a partner in progress by engaging stakeholders, improving classification processes, and promoting a balance between creative freedom and social responsibility.
However, he raised concerns over increasing non-compliance with regulatory requirements, noting that some filmmakers bypass the Board by releasing unclassified films or operating without proper licensing.
He reiterated that all films and video works must be submitted to the NFVCB for classification and registration before being released on any platform, including digital platforms such as YouTube.
“This is a legal obligation, and the Board will not hesitate to take decisive action against defaulters,” he warned, adding that regulation is essential for protecting the industry, audiences, and national values.
Looking ahead, Dr. Husseini assured stakeholders of the Board’s continued collaboration with filmmakers and festival organisers to build a structured, sustainable, and globally competitive Nigerian film industry.
He concluded by commending the organisers of the Coal City Film Festival for their vision and contribution to Nigeria’s cultural economy, urging filmmakers to continue telling authentic stories that can resonate across global screens.
-Leadership
Veteran rapper Michael Ugochukwu Stephens, popularly known as Ruggedman, has criticised the use of “Afrobeats” as a catchall term for all African music, calling it misleading.
In a recent interview with Day Genius, the rapper argued that the term is often used to group artistes who lack real talent and rely only on catchy beats.
The rapper also claimed that many artists in this category struggle with live performances and freestyling because they depend too much on autotune and studio effects.
Nollywood actress and comedian, Kudirat Abeniade Soremi, popularly known as Mama No Network, has bought a new car.
She posted on her Instagram page and shared pictures of her new car, congratulating herself.
“Congratulations to me. Your car is next in line for Jesus.
May the celebration never cease in our home. May God surround me and you with people who genuinely love and celebrate God’s gift in your life,” she posted.
Her colleagues and fans congratulated her on this feat. Rejoicing with her, Bimpe Akintunde wrote, “Congratulations, Iye mi
The actress is known for playing a deaf woman and mother in the Yoruba movie industry.
Last year, she was conferred with a chieftaincy title in Texas Ijebuland, which is (Yeye Owu Ojuwo of Ijebuland)
-Leadership
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
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