Entertainment
Court Stops Police From Arresting OAP Nedu Wazobia Over Alleged Breach Of Contract
Justice Dehinde Dipeolu of the Federal High Court in Lagos has restrained the Inspector-General of Police (IGP) from arresting, detaining, or interrogating popular on-air personality, Chinedu Ani, popularly known as Nedu Wazobia, over an allegation of breach of contract.
Justice Dipeolu granted the interim order after listening to an ex-parte application filed by Nedu Wazobia and five others who sought protection for their fundamental rights.
The judge specifically barred the Inspector-General of Police, the Assistant Inspector-General of Police at Alagbon, and other officers from summoning or detaining the applicants over a contract dispute with the management of Metropolitan School of Business.
However, the judge refused to grant a second relief seeking to compel the police to maintain the status quo concerning all matters related to the transactions between the parties.
Other respondents in the suit are Victor Ariyibi-Oke, Mrs. Tolulope Ariyibi-Oke, CSP Ngozi Braide, ASP Stephen Onihane, and Inspector Echeng Julius.
Other applicants besides Nedu include Sarah Williams-Konha, Avalon Okpe, Ada Okpe, Barbara Okwaranobi, and Tokindrumz Pictures and Media Nigeria Ltd.
In an affidavit attached to the suit, the applicants claimed that they partnered with the respondents in early 2024 for an educational charity initiative to raise school fees for underprivileged students.
They averred that the project included a high-profile fundraising gala, which the respondents had agreed to sponsor at an estimated cost of over N83 million.
The applicants also stated that despite the successful event held in March 2024, which generated both pledges and cash donations, the respondents allegedly demanded a refund of N60 million without justification.
They alleged that after the breakdown of their partnership, the respondents petitioned the police, resulting in repeated summons and alleged harassment of the applicants.
The applicants stated that some of them were unlawfully detained in July 2025, while others had their passports seized by the police.
They insisted that the dispute was purely contractual and should not have prompted a criminal investigation.
In their motion, they requested the court to declare the police actions unlawful, unconstitutional, and an abuse of power.
They also sought an order requiring the police to return their seized passports and to prevent further harassment regarding the contractual dispute.
Additionally, they demanded N2 billion in damages against the respondents for the alleged infringement of their fundamental rights.
-Leadership
Education
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
The Executive Director/Chief Executive Officer of the National Film and Video Censors Board (NFVCB), Dr Shaibu Husseini, has called for stronger distribution frameworks within Nigeria’s film industry to ensure that locally produced content achieves global visibility.
Dr Husseini made this call while delivering the keynote address at the opening ceremony of the 2026 edition of the Coal City Film Festival, held in Enugu.
Welcoming participants to the festival, Dr Husseini expressed his personal delight at hosting the event in Enugu, his birth state, noting the city’s rich cultural heritage and longstanding contributions to Nigeria’s creative landscape.
He commended the festival organisers, particularly the Festival Director, Uche Agbo, for their resilience and commitment in sustaining the initiative.
According to him, the Coal City Film Festival has grown into a significant cultural platform and a must-attend cinematic event in South East Nigeria.
Speaking on the festival’s theme, “Local Stories, Global Screens,” Dr Husseini emphasised the importance of authenticity in storytelling. He noted that films rooted in local realities, languages, and cultural truths often resonate more strongly with global audiences.
He cited notable Nigerian productions such as “King of Boys” by Kemi Adetiba, “The Wedding Party” by Mo Abudu, “Anikulapo” by Kunle Afolayan, “Black Book” by Editi Effiong, and “Lionheart” by Genevieve Nnaji as examples of culturally grounded stories that have gained international recognition on platforms such as Netflix and at global film festivals.
While acknowledging the growth in film production across Nigeria, the NFVCB boss identified distribution as a major bottleneck in the industry. He observed that many high-quality films struggle to reach audiences both locally and internationally due to limited distribution channels.
Dr. Husseini therefore urged film festivals across the country to evolve beyond networking platforms into active marketplaces where filmmakers can secure distribution deals. He stressed that festivals must attract distributors, exhibitors, streaming platforms, and marketers to create tangible opportunities for filmmakers.
“Film festivals must become gateways to distribution where filmmakers leave not just with applause, but with real opportunities,” he said.
Reaffirming the Board’s commitment to industry development, Dr. Husseini stated that the NFVCB has continued to reposition itself as a partner in progress by engaging stakeholders, improving classification processes, and promoting a balance between creative freedom and social responsibility.
However, he raised concerns over increasing non-compliance with regulatory requirements, noting that some filmmakers bypass the Board by releasing unclassified films or operating without proper licensing.
He reiterated that all films and video works must be submitted to the NFVCB for classification and registration before being released on any platform, including digital platforms such as YouTube.
“This is a legal obligation, and the Board will not hesitate to take decisive action against defaulters,” he warned, adding that regulation is essential for protecting the industry, audiences, and national values.
Looking ahead, Dr. Husseini assured stakeholders of the Board’s continued collaboration with filmmakers and festival organisers to build a structured, sustainable, and globally competitive Nigerian film industry.
He concluded by commending the organisers of the Coal City Film Festival for their vision and contribution to Nigeria’s cultural economy, urging filmmakers to continue telling authentic stories that can resonate across global screens.
-Leadership
Veteran rapper Michael Ugochukwu Stephens, popularly known as Ruggedman, has criticised the use of “Afrobeats” as a catchall term for all African music, calling it misleading.
In a recent interview with Day Genius, the rapper argued that the term is often used to group artistes who lack real talent and rely only on catchy beats.
The rapper also claimed that many artists in this category struggle with live performances and freestyling because they depend too much on autotune and studio effects.
Nollywood actress and comedian, Kudirat Abeniade Soremi, popularly known as Mama No Network, has bought a new car.
She posted on her Instagram page and shared pictures of her new car, congratulating herself.
“Congratulations to me. Your car is next in line for Jesus.
May the celebration never cease in our home. May God surround me and you with people who genuinely love and celebrate God’s gift in your life,” she posted.
Her colleagues and fans congratulated her on this feat. Rejoicing with her, Bimpe Akintunde wrote, “Congratulations, Iye mi
The actress is known for playing a deaf woman and mother in the Yoruba movie industry.
Last year, she was conferred with a chieftaincy title in Texas Ijebuland, which is (Yeye Owu Ojuwo of Ijebuland)
-Leadership
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
Wike Reaffirms Nigeria–EU Ties, Moves To Reclaim Encroached Diplomatic Lands
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