Entertainment
Kizz Daniel Drops New Single ‘Police’ With Angelique Kidjo, Johnny Drille
Afrobeats superstar , Kizz Daniel, has kicked off the rollout for his next album with the release of his latest single, “Police,” featuring six-time Grammy-winning icon Angelique Kidjo and Nigerian singer-songwriter , Johnny Drille.
This collaboration signals the beginning of a bold new chapter for Kizz Daniel, setting the tone for what promises to be a standout body of work. Police delivers upbeat, feel-good energy, built on infectious melodies, fluid rhythms, and masterful storytelling.
The track is powered by a top-tier production trio: Ghana’s MOG Beatz (renowned for work with Sarkodie, Mr Eazi, and King Promise), Nigeria’s Blaise Beatz (with credits for Chris Brown, Davido, and Simi), and Johnny Drille, who also lends his distinctive vocals to the song.
Together, they craft a unique fusion of Afrobeat, soul, and global sounds, resulting in a fresh, catchy, and emotionally resonant piece. With its bouncy rhythm and clever lyrics, Police emerges as a universal feel-good anthem.
Kidjo infuses it with her trademark brilliance, Drille adds emotional depth, and Kizz Daniel ties it all together with his signature charm and vocal finesse, delivering a cross-generational hit that resonates worldwide.
Kizz Daniel humorously spins a narrative where he jokingly “calls the police” on his lover for being too captivating to resist. The song blends humor with heartfelt sentiment and artistic finesse, offering a playful yet meaningful take on love. The chemistry between the three artists results in a track that’s as engaging as it is memorable.
Police is now available for streaming across all major digital platforms.
Since debuting with his breakout hit Woju in 2014, Kizz Daniel has remained at the forefront of Afrobeats. His debut album New Era won Album of the Year at The Headies in 2016, and he received a Future Awards Africa nomination in 2017.
His 2018 sophomore project No Bad Songz, which included the smash hit Nesesari, debuted at #1 on the iTunes World Album Chart on its release day. Since then, he has delivered a series of acclaimed projects—King of Love, Barnabas, Maverick, and TZA—featuring standout tracks like Lie, Boys Are Bad, Rich Till I Die, Showa, Marhaba, and Twe Twe.
With over four billion global streams, two Shazam-topping singles, and sold-out shows across Africa, North America, and Europe, Kizz Daniel is a dominant force in the global Afrobeats movement. Backed by more than 25 million social media followers, his blend of captivating vocals, magnetic stage presence, and genre-spanning musicality—ranging from Nesesari to chart-toppers like Buga and fan-favorite Cough (Odo)—cements his place as one of the most dynamic entertainers of his generation.
After a landmark 2022 that saw him named Africa’s most streamed artist in the first half of the year, release the viral hit Buga, and perform at the FIFA World Cup opening ceremony alongside Diplo and Calvin Harris, Kizz Daniel continued his momentum into 2023. With the release of his fourth studio album Maverick, a headlining set at the Essence Festival, and a chart-topping collaboration with Becky G, last year only added to his growing legacy.
Now, with Police, Kizz Daniel opens yet another exciting chapter—this time, flanked by musical heavyweights and a sound that pushes boundaries while staying true to his roots.
-Leadership
Education
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
The Executive Director/Chief Executive Officer of the National Film and Video Censors Board (NFVCB), Dr Shaibu Husseini, has called for stronger distribution frameworks within Nigeria’s film industry to ensure that locally produced content achieves global visibility.
Dr Husseini made this call while delivering the keynote address at the opening ceremony of the 2026 edition of the Coal City Film Festival, held in Enugu.
Welcoming participants to the festival, Dr Husseini expressed his personal delight at hosting the event in Enugu, his birth state, noting the city’s rich cultural heritage and longstanding contributions to Nigeria’s creative landscape.
He commended the festival organisers, particularly the Festival Director, Uche Agbo, for their resilience and commitment in sustaining the initiative.
According to him, the Coal City Film Festival has grown into a significant cultural platform and a must-attend cinematic event in South East Nigeria.
Speaking on the festival’s theme, “Local Stories, Global Screens,” Dr Husseini emphasised the importance of authenticity in storytelling. He noted that films rooted in local realities, languages, and cultural truths often resonate more strongly with global audiences.
He cited notable Nigerian productions such as “King of Boys” by Kemi Adetiba, “The Wedding Party” by Mo Abudu, “Anikulapo” by Kunle Afolayan, “Black Book” by Editi Effiong, and “Lionheart” by Genevieve Nnaji as examples of culturally grounded stories that have gained international recognition on platforms such as Netflix and at global film festivals.
While acknowledging the growth in film production across Nigeria, the NFVCB boss identified distribution as a major bottleneck in the industry. He observed that many high-quality films struggle to reach audiences both locally and internationally due to limited distribution channels.
Dr. Husseini therefore urged film festivals across the country to evolve beyond networking platforms into active marketplaces where filmmakers can secure distribution deals. He stressed that festivals must attract distributors, exhibitors, streaming platforms, and marketers to create tangible opportunities for filmmakers.
“Film festivals must become gateways to distribution where filmmakers leave not just with applause, but with real opportunities,” he said.
Reaffirming the Board’s commitment to industry development, Dr. Husseini stated that the NFVCB has continued to reposition itself as a partner in progress by engaging stakeholders, improving classification processes, and promoting a balance between creative freedom and social responsibility.
However, he raised concerns over increasing non-compliance with regulatory requirements, noting that some filmmakers bypass the Board by releasing unclassified films or operating without proper licensing.
He reiterated that all films and video works must be submitted to the NFVCB for classification and registration before being released on any platform, including digital platforms such as YouTube.
“This is a legal obligation, and the Board will not hesitate to take decisive action against defaulters,” he warned, adding that regulation is essential for protecting the industry, audiences, and national values.
Looking ahead, Dr. Husseini assured stakeholders of the Board’s continued collaboration with filmmakers and festival organisers to build a structured, sustainable, and globally competitive Nigerian film industry.
He concluded by commending the organisers of the Coal City Film Festival for their vision and contribution to Nigeria’s cultural economy, urging filmmakers to continue telling authentic stories that can resonate across global screens.
-Leadership
Veteran rapper Michael Ugochukwu Stephens, popularly known as Ruggedman, has criticised the use of “Afrobeats” as a catchall term for all African music, calling it misleading.
In a recent interview with Day Genius, the rapper argued that the term is often used to group artistes who lack real talent and rely only on catchy beats.
The rapper also claimed that many artists in this category struggle with live performances and freestyling because they depend too much on autotune and studio effects.
Nollywood actress and comedian, Kudirat Abeniade Soremi, popularly known as Mama No Network, has bought a new car.
She posted on her Instagram page and shared pictures of her new car, congratulating herself.
“Congratulations to me. Your car is next in line for Jesus.
May the celebration never cease in our home. May God surround me and you with people who genuinely love and celebrate God’s gift in your life,” she posted.
Her colleagues and fans congratulated her on this feat. Rejoicing with her, Bimpe Akintunde wrote, “Congratulations, Iye mi
The actress is known for playing a deaf woman and mother in the Yoruba movie industry.
Last year, she was conferred with a chieftaincy title in Texas Ijebuland, which is (Yeye Owu Ojuwo of Ijebuland)
-Leadership
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
Wike Reaffirms Nigeria–EU Ties, Moves To Reclaim Encroached Diplomatic Lands
Inspector-General Disu Submits 75-Page Framework On ‘State Police’ To Senate As Push Gains Momentum
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