Entertainment
Simi breaks silence after her 2012 post ‘sexualising’ four-year-old boy resurfaced online
Nigerian singer, Simisola Bolatito Kosoko, popularly known as Simi, has responded after a 2012 tweet from her X account resurfaced online and sparked backlash.
The old post, shared on March 14, 2012, referenced a four-year-old boy named David and described him as having a crush on her.
She mentioned the child getting physically close, acting as though he wanted to kiss her and resting his head on her lap, while she questioned whether she should give him attention.
The viral tweet reads, “David has a crush on me. He kips comn close; actin lik he wana lock lips n den he puts his head on my lap.Shd I giv him a chance? P.S: Hes 4.”
The post recently went viral, triggering outrage from several social media users who accused the singer of sexualising a minor and called for an investigation.
In a lengthy statement shared on her X page late Sunday, Simi said she was made aware of the resurfaced tweets and felt compelled to address the issue.
She explained that she was 23 at the time and had been living and assisting at her mother’s daycare while pursuing her music career.
According to her, she often tweeted about daily experiences, including humorous moments involving children, stressing that her comments were not rooted in perversion.
She maintained that she has never engaged in depraved behaviour and rejected attempts to frame the old post within what she described as false narratives.
The singer added that she has consistently spoken against rape and sexual assault and continues to stand by her advocacy.
Simi also disclosed that members of her team had begun deleting some of the old tweets due to the sensitivity of the situation for her family, although she initially did not want them removed.
She wrote, “I haven’t been on Twitter today – but someone brought a few of my old tweets to my attention and I can’t not address it.
“14 years ago, I was 23, so I was definitely not a child. I’m not here to make excuses because I don’t have anything to make excuses for. What I can’t let anyone do is twist my story to fit false narratives.
“In 2012, I lived and helped out at my mom’s daycare while I was hustling my music. I tweeted everything that happened in my life, as we all did at the time. Kids can be mischievous. If a child did something I found funny, I tweeted about it. Kids are cute and lovable. I want to hug, kiss and cuddle them. I tweet about it. Nothing I tweeted was from perversion.
“I was not famous, so maybe if I was, I would have understood that anything is open to whatever interpretation including being used falsely by a faceless mob. I’ve never been depraved in my life. You can retweet all the tweets in the world about me loudly crushing on people I admire/d. Or being a cheeky young woman. I wasn’t trying to hide it, because I don’t have anything to hide.
“My team has been deleting some of my tweets because of how sensitive it is for my family. To be honest, I did not want to. I have always spoken against rape and sexual assault even before you knew I existed. It’s not a costume I’m wearing, it’s who I am. I’ve never claimed to be perfect. I’ve never claimed to know everything. I said stop raping women. I stand by it.”
-Tribune
Education
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
The Executive Director/Chief Executive Officer of the National Film and Video Censors Board (NFVCB), Dr Shaibu Husseini, has called for stronger distribution frameworks within Nigeria’s film industry to ensure that locally produced content achieves global visibility.
Dr Husseini made this call while delivering the keynote address at the opening ceremony of the 2026 edition of the Coal City Film Festival, held in Enugu.
Welcoming participants to the festival, Dr Husseini expressed his personal delight at hosting the event in Enugu, his birth state, noting the city’s rich cultural heritage and longstanding contributions to Nigeria’s creative landscape.
He commended the festival organisers, particularly the Festival Director, Uche Agbo, for their resilience and commitment in sustaining the initiative.
According to him, the Coal City Film Festival has grown into a significant cultural platform and a must-attend cinematic event in South East Nigeria.
Speaking on the festival’s theme, “Local Stories, Global Screens,” Dr Husseini emphasised the importance of authenticity in storytelling. He noted that films rooted in local realities, languages, and cultural truths often resonate more strongly with global audiences.
He cited notable Nigerian productions such as “King of Boys” by Kemi Adetiba, “The Wedding Party” by Mo Abudu, “Anikulapo” by Kunle Afolayan, “Black Book” by Editi Effiong, and “Lionheart” by Genevieve Nnaji as examples of culturally grounded stories that have gained international recognition on platforms such as Netflix and at global film festivals.
While acknowledging the growth in film production across Nigeria, the NFVCB boss identified distribution as a major bottleneck in the industry. He observed that many high-quality films struggle to reach audiences both locally and internationally due to limited distribution channels.
Dr. Husseini therefore urged film festivals across the country to evolve beyond networking platforms into active marketplaces where filmmakers can secure distribution deals. He stressed that festivals must attract distributors, exhibitors, streaming platforms, and marketers to create tangible opportunities for filmmakers.
“Film festivals must become gateways to distribution where filmmakers leave not just with applause, but with real opportunities,” he said.
Reaffirming the Board’s commitment to industry development, Dr. Husseini stated that the NFVCB has continued to reposition itself as a partner in progress by engaging stakeholders, improving classification processes, and promoting a balance between creative freedom and social responsibility.
However, he raised concerns over increasing non-compliance with regulatory requirements, noting that some filmmakers bypass the Board by releasing unclassified films or operating without proper licensing.
He reiterated that all films and video works must be submitted to the NFVCB for classification and registration before being released on any platform, including digital platforms such as YouTube.
“This is a legal obligation, and the Board will not hesitate to take decisive action against defaulters,” he warned, adding that regulation is essential for protecting the industry, audiences, and national values.
Looking ahead, Dr. Husseini assured stakeholders of the Board’s continued collaboration with filmmakers and festival organisers to build a structured, sustainable, and globally competitive Nigerian film industry.
He concluded by commending the organisers of the Coal City Film Festival for their vision and contribution to Nigeria’s cultural economy, urging filmmakers to continue telling authentic stories that can resonate across global screens.
-Leadership
Veteran rapper Michael Ugochukwu Stephens, popularly known as Ruggedman, has criticised the use of “Afrobeats” as a catchall term for all African music, calling it misleading.
In a recent interview with Day Genius, the rapper argued that the term is often used to group artistes who lack real talent and rely only on catchy beats.
The rapper also claimed that many artists in this category struggle with live performances and freestyling because they depend too much on autotune and studio effects.
Nollywood actress and comedian, Kudirat Abeniade Soremi, popularly known as Mama No Network, has bought a new car.
She posted on her Instagram page and shared pictures of her new car, congratulating herself.
“Congratulations to me. Your car is next in line for Jesus.
May the celebration never cease in our home. May God surround me and you with people who genuinely love and celebrate God’s gift in your life,” she posted.
Her colleagues and fans congratulated her on this feat. Rejoicing with her, Bimpe Akintunde wrote, “Congratulations, Iye mi
The actress is known for playing a deaf woman and mother in the Yoruba movie industry.
Last year, she was conferred with a chieftaincy title in Texas Ijebuland, which is (Yeye Owu Ojuwo of Ijebuland)
-Leadership
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
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