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Ayra Starr Picks Wizkid, Tiwa Savage, Rema As Her ‘Afrobeats Big Three’

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Nigerian singer Arya Starr has said her top three Afrobeat stars are Wizkid, Tiwa Savage, and Rema.

She disclosed this during a recent interview with Hot 97 FM, when the pop star was asked to name her top three acts in the music genre.

“My big three, I would say Tiwa Savage, obviously, Wiz and Rema. My solid big three,” she pointed out.

The Grammy Award nominee said her choices highlighted the outstanding roles each musician played in the evolution of the genre.

Starr described Tiwa Savage as a leading female figure, saying that her choices showcase the outstanding roles each musician has played in the growth of the genre.

She described Tiwa Savage as a leading female figure whose success has helped open doors for women in an industry long dominated by male acts.

Her disclosure adds a new layer to the debate over the genre’s leading musicians.

The term “Big 3” has been used by music commentators and fans to refer to Wizkid, Davido, and Burna Boy, reflecting their commercial success and international popularity—some still debate who is the best among the three.

Music icon Tiwa Savage, in September 2025, noted that Afrobeats is beyond the ‘big three’ as the idea belittles the achievements of other successful artistes in the music industry.

She went on to say that other big players in the sector include Yemi Alade, Flavour, Asake, Tems, Rema, and why were they not included in the list?

She went on to say that the narrative of the big three remains due to the
“active fan bases” of the singers.

 

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NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu

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The Executive Director/Chief Executive Officer of the National Film and Video Censors Board (NFVCB), Dr Shaibu Husseini, has called for stronger distribution frameworks within Nigeria’s film industry to ensure that locally produced content achieves global visibility.


‎Dr Husseini made this call while delivering the keynote address at the opening ceremony of the 2026 edition of the Coal City Film Festival, held in Enugu.
‎Welcoming participants to the festival, Dr Husseini expressed his personal delight at hosting the event in Enugu, his birth state, noting the city’s rich cultural heritage and longstanding contributions to Nigeria’s creative landscape.

‎He commended the festival organisers, particularly the Festival Director, Uche Agbo, for their resilience and commitment in sustaining the initiative.

‎ According to him, the Coal City Film Festival has grown into a significant cultural platform and a must-attend cinematic event in South East Nigeria.
‎Speaking on the festival’s theme, “Local Stories, Global Screens,” Dr Husseini emphasised the importance of authenticity in storytelling. He noted that films rooted in local realities, languages, and cultural truths often resonate more strongly with global audiences.

‎He cited notable Nigerian productions such as “King of Boys” by Kemi Adetiba, “The Wedding Party” by Mo Abudu, “Anikulapo” by Kunle Afolayan, “Black Book” by Editi Effiong, and “Lionheart” by Genevieve Nnaji as examples of culturally grounded stories that have gained international recognition on platforms such as Netflix and at global film festivals.

‎While acknowledging the growth in film production across Nigeria, the NFVCB boss identified distribution as a major bottleneck in the industry. He observed that many high-quality films struggle to reach audiences both locally and internationally due to limited distribution channels.

‎Dr. Husseini therefore urged film festivals across the country to evolve beyond networking platforms into active marketplaces where filmmakers can secure distribution deals. He stressed that festivals must attract distributors, exhibitors, streaming platforms, and marketers to create tangible opportunities for filmmakers.

‎“Film festivals must become gateways to distribution where filmmakers leave not just with applause, but with real opportunities,” he said.

‎Reaffirming the Board’s commitment to industry development, Dr. Husseini stated that the NFVCB has continued to reposition itself as a partner in progress by engaging stakeholders, improving classification processes, and promoting a balance between creative freedom and social responsibility.

‎However, he raised concerns over increasing non-compliance with regulatory requirements, noting that some filmmakers bypass the Board by releasing unclassified films or operating without proper licensing.

‎He reiterated that all films and video works must be submitted to the NFVCB for classification and registration before being released on any platform, including digital platforms such as YouTube.

‎“This is a legal obligation, and the Board will not hesitate to take decisive action against defaulters,” he warned, adding that regulation is essential for protecting the industry, audiences, and national values.

‎Looking ahead, Dr. Husseini assured stakeholders of the Board’s continued collaboration with filmmakers and festival organisers to build a structured, sustainable, and globally competitive Nigerian film industry.

‎He concluded by commending the organisers of the Coal City Film Festival for their vision and contribution to Nigeria’s cultural economy, urging filmmakers to continue telling authentic stories that can resonate across global screens.

 

 

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Talentless Artists Use ‘Afrobeats’ To Hide Their Lack Of Skill – Ruggedman

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Veteran rapper Michael Ugochukwu Stephens, popularly known as Ruggedman, has criticised the use of “Afrobeats” as a catchall term for all African music, calling it misleading.

In a recent interview with Day Genius, the rapper argued that the term is often used to group artistes who lack real talent and rely only on catchy beats.

Ruggedman expressed his dislike for the “Afrobeats” tag, noting that it was a mistake from the beginning to put every sound from the continent under one umbrella.
“For me, Afrobeats with an ‘S’ is a name talentless Nigerians hide behind. All you need to make a hit is just a good beat and street slang. Then you repeat it many times and spend money to promote it,” he said.

The rapper also claimed that many artists in this category struggle with live performances and freestyling because they depend too much on autotune and studio effects.

He noted that the trend of tagging every African song as Afrobeats started in the UK.
Ruggedman added that when he first complained about the name, people accused him of jealousy, but he insists it misrepresents the diversity of African music.
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Nollywood Actress Mama No Network Gets New Car

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Nollywood actress and comedian, Kudirat Abeniade Soremi, popularly known as Mama No Network, has bought a new car.

 

She posted on her Instagram page and shared pictures of her new car, congratulating herself.

Praying for her fans, the actress declared that celebration will never cease in her home and that God will keep surrounding them with people who genuinely love and celebrate God’s gifts in their lives.

“Congratulations to me. Your car is next in line for Jesus.
May the celebration never cease in our home. May God surround me and you with people who genuinely love and celebrate God’s gift in your life,” she posted.

Her colleagues and fans congratulated her on this feat. Rejoicing with her, Bimpe Akintunde wrote, “Congratulations, Iye mi

Tawa Ajisefinni wrote, “Congrats ma
One ola_mhii_ wrote, “Next one na Lambo insha Allah
One miloz_glam wrote, “Congratulations ma

The actress is known for playing a deaf woman and mother in the Yoruba movie industry.

Last year, she was conferred with a chieftaincy title in Texas Ijebuland, which is (Yeye Owu Ojuwo of Ijebuland)

 

 

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