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Celebrating African Cinema: How AMVCA is influencing global entertainment

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The Africa Magic Viewers’ Choice Awards (AMVCA), often compared to the Oscars, has evolved beyond a simple awards ceremony into an influential platform boosting African cinema’s global visibility. As the 11th edition approaches, the AMVCA continues to highlight African filmmakers’ work, helping to position Africa’s cinematic output as a significant force in international entertainment. 

 

Initially established to showcase Africa’s diverse storytelling traditions, the AMVCA has grown from a regional event into one of the most anticipated events on the global film calendar. This increased prominence reflects the growing recognition of Africa’s cinematic quality and originality. The AMVCA brings together a wide range of African filmmaking talents, enhancing the event’s global recognition. As African content expands on streaming platforms like Showmax, the awards provide filmmakers with access to broader international audiences.

 

While the comparison to the Oscars speaks to its prestige, the AMVCA’s true value lies in showcasing authentic African stories and talent. Celebrating both established and emerging creative voices, it creates a space where African filmmakers receive recognition for their contributions to global cinema. This is particularly important as African stories gain traction on the international stage.

 

Recognition from the AMVCA extends beyond trophies, opening doors to new opportunities and global collaborations. Past winners have seen their careers blossom through international film festival invitations, co-productions, and global distribution deals. The award serves as a validation that elevates African filmmakers’ work to the international stage.

 

A key strength of the AMVCA is its recognition of the full spectrum of industry talent. The awards highlight not only actors and directors but also the technical experts- cinematographers, editors, sound engineers, costume designers, and music composers- emphasising African cinema’s diverse talent pool. The addition of the best music score category further acknowledges how original compositions enhance storytelling and emotional impact in African films.

 

As African films increasingly appear on global platforms and receive critical acclaim, the AMVCA has become an industry cornerstone. With its 11th edition approaching, the awards’ role in recognising and celebrating African cinema remains vital. By recognizing excellence across all filmmaking aspects, from visual storytelling to musical composition, the AMVCA provides a comprehensive platform for honouring the complete artistic vision behind each production.

 

The global entertainment industry is paying attention, and the AMVCA ensures that African cinema is not just part of the conversation but actively shapes it. This evolution from a regional awards show to a globally recogniSed institution demonstrates the growing influence of African cinema and the diverse talent emerging from the continent. Through categories like Best Music Score, the AMVCA continues to elevate all components that make African storytelling unique and compelling on the world stage.

 

 

-Tribune

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‎Government Demolishes Influencer Ola Of Lagos’ Car Showroom ‎

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The Lagos State Government has reportedly demolished a popular luxury car showroom owned by social media influencer and car dealer, Waris Olayinka Akinwande, widely known as ‘Ola of Lagos’.

‎The incident, which occurred on Saturday, was first brought to public attention through a viral TikTok video posted by another car dealer, Ibilo, who captured the remains of the demolished property.

‎The caption read, “Lagos State Government Demolishes OOL Autos. Heavy one today.”

‎As of press time, the state government had not issued an official statement regarding the demolition, leaving the motive behind the action unconfirmed.

‎However, widespread speculation on social media suggested that the structure was pulled down because it was allegedly built beneath a high-tension power line in violation of safety and urban planning regulations.

‎One TikTok user, Adekunle Autoparts, commented, “They demolished it because he built it under a power line.”

‎Another user, Sisi Noni, expressed mixed feelings about the development, highlighting both the safety risks and the harshness of the government’s approach.

‎“I’m not trying to sound hateful, but the first time I saw this structure, my eyes got hold of the high tension. But as usual, I felt the country doesn’t send anymore once you have money,” she wrote.

‎“Building under the high tension is very risky. But at the same time, they should have asked him to relocate — maybe they would have dismantled the structure without destroying it so he can make use of some of those materials in his new site.”

‎The demolition came amid a broader enforcement drive by the Lagos State Ministry of Environment and Water Resources against illegal constructions across the state.

‎On the same day, the government also demolished no fewer than 17 houses illegally erected on the Right of Way (RoW) of the Ikota River alignment in the Lekki area.

‎Commissioner for Environment and Water Resources, Tokunbo Wahab, who led a monitoring and enforcement team to the site, warned residents against activities that endanger the environment or obstruct natural water channels.

‎“We stopped them then, but we were alerted again recently that the encroachment had resumed aggressively, with attempts to sell to unsuspecting buyers,” Wahab said.

‎He stressed that the exercise formed part of the state’s broader efforts to reclaim and protect flood-prone areas, adding that offenders behind illegal reclamation and construction activities would be identified and prosecuted.

‎Recovered evidence from the Lekki site showed several ongoing reclamation projects, sand-filling operations, and partially completed structures built directly on natural waterways, a violation the state said poses serious environmental risks.

‎-Leadership

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Davido Becomes Grammy Voting Member Ahead Of 2026 Awards

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‎Afrobeats superstar, David Adeleke, popularly known as Davido, has been officially inducted as a voting member of the Recording Academy, the body behind the prestigious Grammy Awards.

‎The move gives the ‘Feel’ crooner, who secured three Grammy nominations in 2024, a direct role in the Academy’s nomination and final-ballot processes for the 2026 ceremony.

‎Confirming his membership, the Recording Academy shared a video on Instagram on Tuesday featuring Davido alongside other newly admitted members.

‎The post read, “Creating a song or an album takes heart, time, and dedication. ✨ That’s why Recording Academy members including #Davido, #ravynlenae, #offsetyrn, #jessiereyez, #zacbrownband, #anneakikomeyers, #miles.minnick, #mayaelizabethmusic, #damiensneed, #damarismusica, and #stewart_copeland are sharing why your participation matters.”

‎Speaking on the milestone, Davido expressed pride at joining the global community of music professionals shaping the awards.

‎“Understanding the importance of how our voices are heard, I am participating in the GRAMMY Award process. It is a game-changer. I have learned that voting empowers you to have a say in what is considered and voted on in each season. I am honoured to be part of the Recording Academy community, and I look forward to voting,” he said.

‎Davido’s inclusion underscores the Academy’s ongoing efforts to diversify and expand its membership base, with growing representation from African and other international artists.

‎The Academy also announced that voting for the 2026 GRAMMY Awards will open on October 3. “Recording Academy voting members: review the ballot, listen, and vote early, starting October 3,” it said.

-Leadership

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Tyler Perry Faces $260m Sexual Assault Lawsuit From Actor Derek Dixon

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‎Filmmaker Tyler Perry, known for Acrimony and his popular Madea comedy series, is battling a $260 million sexual assault lawsuit after actor Derek Dixon, who played Dale on Perry’s BET drama The Oval, went public with allegations of harassment and abuse.

‎In his first on-camera interview with ABC News on September 9, 2025, Dixon claimed Perry fostered a coercive dynamic that blurred professional boundaries and left him fearful for his career.

‎He alleged that Perry pulled down his underwear and grabbed his buttocks at the producer’s Atlanta home. “I was under constant stress, scared I’d lose my job or be killed off the show if I didn’t comply”.

‎Explaining the damages sought, Dixon said the lawsuit reflects both personal losses and a deterrent against future abuse.

‎“Part of that number is my lost job, my lost income, the loss of a show. The other part of that is a deterrent, how do you stop a billionaire who won’t stop themselves from doing this?” he said.

‎Dixon also accused Perry of failing to deliver on a promise to produce a pilot he had written, which he said Perry still controls.

‎Despite the risks of speaking out, Dixon said he went public “to protect future generations of actors and creatives,” adding, “Never exploit someone’s aspirations to coerce them into a relationship. That’s unprofessional.”

‎Perry’s attorney, Matthew Boyd, dismissed the claims, saying, “This is an individual who got close to Tyler Perry for what now appears to be an elaborate scam. But Tyler will not be coerced, and we are confident that these unfounded harassment claims will not succeed.”

‎Dixon, who joined Perry’s productions in 2020, filed a complaint with the Equal Employment Opportunity Commission in January 2024 before leaving The Oval later that year.

‎His June 2025 lawsuit has since intensified scrutiny of workplace harassment and power dynamics in Hollywood.

‎-Leadership

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