Entertainment
Nigerian music Industry without the Duo, P-Square
One of the greatest musical performers out of Africa are the Okoye twin brothers, Peter and Paul whose electrifying stage performances, vocal songs and dance captures the heart of many music lovers in 2000s era.

The duo was launched into the mainstream recognition following the release of the song “Senorita” in 2003 and later gain recognition after releasing their sophomore album Get Squared in 2005. The success of the album earned them a nomination at the MTV Europe Music Award for Best African Act in 2006. A prominent figure in the Africa popular culture of the 21st Century, P-Square was awarded Artistes of the Decade at the MTV Africa Music Awards 2015.
In the formative stage of Afrobeat, p-square contributions to the Nigerian global recognition and exploitation cannot be over emphasized. One of the notable foreign collaborations was Oyinye track by the famous twins, a fusion of Afrobeat, an international rap and standout with electrifying collaboration between Nigerian musical duo P-Square and American rapper Rick Ross. Released in 2012 as part of P-Square’s album The Invasion, this track seamlessly blends the infectious rhythms of Afrobeat with Rick Ross’s signature lyrical prowess, creating a global anthem that resonates with audiences worldwide. P-squares’ collaboration with Rick Ross was the peak at a time when Afrobeat was finding its footing from Nigeria.
Paul and Peter Okoye have experienced both highs and lows since their 2003 debut, including six studio albums and collaborations with some of the biggest international artistes such as; Rick Ross, T.I.. and Akon.
Many of the Duo stage performances pulled thousands’ of fans, some fainting or going really wild with a mere sight of them. They were able to captive their audience with jaw dropping chorography dancing synonymous to late legendary hip pop star Michael Jackson. Many referred the Duo as “African Michael Jackson” with smooth transition of break dancing and moon walking.

When many still had hope of them coming back in the nearest future since blood they say is thicker than water, recent law suit by one of the twins, Peter Okoye against their elder brother Jude Okoye before Justice A. Owoeye of the Federal High Court sitting in Ikoyi, Lagos. Peter through his lawyer, one barrister Afolabi, had dragged his ex-manager, Jude alongside, his company, Northside Music Limited to the Economic and Financial Crimes Commission, EFCC, over alleged N1.38bn fraud.
Onspotnews gather that Jude Okoye is standing trial on a seven-count charge bordering on money laundering and fraud. The Head, Media and Publicity of EFCC Dele Oyewale said one of the counts reads: “That you, Jude Okoye Chigozie and Northside Music Limited, sometime in 2022, in Lagos, within the jurisdiction of this Honourable Court, did directly acquire a landed property known as No 5, Tony Eromosele Street Parkview Estate, Ikoyi, Lagos worth ₦850,000,000.00 (Eight Hundred and Fifty Million Naira only), which money you knew or reasonably ought to have known form part of proceeds of unlawful act and thereby committed an offence contrary to Section 18 (2) (d) and punishable under Section 18 (3) of the Money Laundering (Prevention and Prohibition) Act, 2022.”
He pleaded “not guilty” to the charges when they were read to him, upon his arraignment on February 26, 2025.
Led in evidence by the prosecution counsel, Aso Larry’s Peters, Peter said: “The group, P-Square started sometime in 1997. But in 2017, it was disbanded. We stayed apart for about five years. But in November 2021, the group came back.
“Before Jude became our Manager, we had several managers, including Chioma Ugochi, who managed us when we were in the secondary school and in the University; and the late Bayo Odusami of Mbuntu music, who managed us for five years.
“Thereafter, my twin brother and I managed the band for a couple of months before we decided that he (Jude) would manage us and Northside Entertainment Limited.
“So, we continued running our business. But we were always having issues about how he was running the business. The issues were mainly about the fact that he was the sole signatory to all our bank accounts in Ecobank, Zenith and FCMB.
“These issues lasted for a couple of months. I didn’t have access to the accounts until the current Minister of Aviation, Mr. Festus Keyamo, SAN, who was our lawyer, said we needed a sharing formula.”
While giving further evidence, he recalled an incident when the brothers were building their houses in Ikoyi, saying, “The funding of the house project was by Northwest Entertainment Ltd. But they just stopped financing my house for six months.
“The accounts were owned by the company, while Jude was the only signatory to all the accounts. At some, I approached him and my twin brother, Paul, to know why they stopped financing my project. But what I heard from them was ‘As you leave P-square, you leave the money’.
“With that comment, I had to approach our lawyer, Keyamo.
“All our money is in Northside Entertainment, and he is the sole signatory.
“Along the line, I discovered that there’s a company similar to ours, Northside Music Limited.
“In 2022, I discovered this when some people wanted to acquire our albums. These individuals demanded our statements of account to know how much the albums were generating monthly. The reason is that I didn’t have access to ‘backend’, which could be traced through a Northside account and through the aggregators (these are people you engage to know when they play your music on any medium, so you get paid). I then demanded that I wanted to know the backend. But he refused.
“Then, I went to my twin brother, Paul, who replied thus: ‘You know, I don’t know anything about it, but Jude.’
“When I suggested we go to see him, he said he would go and meet him, so I left him.”
He further told the court that when he approached Paul a few weeks after about it, Paul told him he had discussed the issue with Jude. Giving further testimony, he told the court that : “ Thereafter, I approached Jude again. He told me that my share of the money was with some people in South Africa. I told him I was not asking for money , but the backend and the statements of the account. But there was no positive response.”
Following this discussion, he said he then reached out to the accounts officers in both Eco Bank and Zenith Bank, respectively, but he did not get satisfactory response from them. According to him , “The account officer at the Zenith Bank later told me that Jude told him not to send it to me. The officer added that the only way I could get it was through the court.
“I, however, discovered that the aggregators handling P-square’s Music Company were the same persons handling Paul and Peter. So, I approached Paul and told him to give them the albums of P-Square. But Jude and Paul were not comfortable with that.”
Also, Peter told the court that both Jude and Paul subsequently allowed him to give the catalogue to Mad Solution and he was assured that he would start receiving money after three months.
He said: “Three months after, I received over $22,000 USD. I was also told that both Jude and Paul had been paid.
“Until I called, I did not have an idea of a company called Northside music. I decided not to meet Jude over it. But when I approached Paul if he knew about Northside Music, he said I should check the album by Cynthia Morgan, who was then Jude’s artiste.
“When I checked Cynthia Morgan’s album, it was Northside Incorporation and not Northside Music. I then approached Jude for the same backend. He told me that it was going to take three and half months to retrieve the catalogue.
“And then forwarded the catalogue to me. My new management now sent it to people who wanted to buy it.”
According to him, “By the time it was sent to me, it only bore numbers and not figures.
“They responded that the backend had been tampered with, which suggested that the people who offered $8000 USD could not offer $500 USD,owing to the fact that the numbers had reduced.
“I went to the Corporate Affairs Commission (CAC) site, and discovered that the Directors of Northside Music were Jude Okoye and his wife. I also discovered that Jude’s wife owned 80%, while Jude owned 20%.
“On the backend, I was unable to get anything because it had been tampered with. One of those interested in buying the catalogue came to my house and invited Paul . But his response was that ‘I know Peter has told you this…When he came back after an hour, he told me that he was tired of all this and that I could do my worst.’
“But when I checked the statements of accounts from January 1, to December 2017, I discovered that those who paid money to the Access Bank account were the aggregators.”
Loyal and core fans still listen wholeheartedly to their albums and still wish they will find a way to make amends. A close source to the family told onspotnews that there is high possibility of this separation and current court case not happening if their late mum was alive. We pray she continues to rest in peace and really hope for peace to reign in their family.
It is safe to say this duo have left a huge vacuum in the Nigerian entertainment industry and still yet to recover from it. Who knows, in the nearest future, a reconciliation can still occur while million of Nigerians can’t wait enough for that to happen. We wish them the very best in their individual exploit.
Education
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
The Executive Director/Chief Executive Officer of the National Film and Video Censors Board (NFVCB), Dr Shaibu Husseini, has called for stronger distribution frameworks within Nigeria’s film industry to ensure that locally produced content achieves global visibility.
Dr Husseini made this call while delivering the keynote address at the opening ceremony of the 2026 edition of the Coal City Film Festival, held in Enugu.
Welcoming participants to the festival, Dr Husseini expressed his personal delight at hosting the event in Enugu, his birth state, noting the city’s rich cultural heritage and longstanding contributions to Nigeria’s creative landscape.
He commended the festival organisers, particularly the Festival Director, Uche Agbo, for their resilience and commitment in sustaining the initiative.
According to him, the Coal City Film Festival has grown into a significant cultural platform and a must-attend cinematic event in South East Nigeria.
Speaking on the festival’s theme, “Local Stories, Global Screens,” Dr Husseini emphasised the importance of authenticity in storytelling. He noted that films rooted in local realities, languages, and cultural truths often resonate more strongly with global audiences.
He cited notable Nigerian productions such as “King of Boys” by Kemi Adetiba, “The Wedding Party” by Mo Abudu, “Anikulapo” by Kunle Afolayan, “Black Book” by Editi Effiong, and “Lionheart” by Genevieve Nnaji as examples of culturally grounded stories that have gained international recognition on platforms such as Netflix and at global film festivals.
While acknowledging the growth in film production across Nigeria, the NFVCB boss identified distribution as a major bottleneck in the industry. He observed that many high-quality films struggle to reach audiences both locally and internationally due to limited distribution channels.
Dr. Husseini therefore urged film festivals across the country to evolve beyond networking platforms into active marketplaces where filmmakers can secure distribution deals. He stressed that festivals must attract distributors, exhibitors, streaming platforms, and marketers to create tangible opportunities for filmmakers.
“Film festivals must become gateways to distribution where filmmakers leave not just with applause, but with real opportunities,” he said.
Reaffirming the Board’s commitment to industry development, Dr. Husseini stated that the NFVCB has continued to reposition itself as a partner in progress by engaging stakeholders, improving classification processes, and promoting a balance between creative freedom and social responsibility.
However, he raised concerns over increasing non-compliance with regulatory requirements, noting that some filmmakers bypass the Board by releasing unclassified films or operating without proper licensing.
He reiterated that all films and video works must be submitted to the NFVCB for classification and registration before being released on any platform, including digital platforms such as YouTube.
“This is a legal obligation, and the Board will not hesitate to take decisive action against defaulters,” he warned, adding that regulation is essential for protecting the industry, audiences, and national values.
Looking ahead, Dr. Husseini assured stakeholders of the Board’s continued collaboration with filmmakers and festival organisers to build a structured, sustainable, and globally competitive Nigerian film industry.
He concluded by commending the organisers of the Coal City Film Festival for their vision and contribution to Nigeria’s cultural economy, urging filmmakers to continue telling authentic stories that can resonate across global screens.
-Leadership
Entertainment
Talentless Artists Use ‘Afrobeats’ To Hide Their Lack Of Skill – Ruggedman
Veteran rapper Michael Ugochukwu Stephens, popularly known as Ruggedman, has criticised the use of “Afrobeats” as a catchall term for all African music, calling it misleading.
In a recent interview with Day Genius, the rapper argued that the term is often used to group artistes who lack real talent and rely only on catchy beats.
The rapper also claimed that many artists in this category struggle with live performances and freestyling because they depend too much on autotune and studio effects.
Entertainment
Nollywood Actress Mama No Network Gets New Car
Nollywood actress and comedian, Kudirat Abeniade Soremi, popularly known as Mama No Network, has bought a new car.
She posted on her Instagram page and shared pictures of her new car, congratulating herself.
“Congratulations to me. Your car is next in line for Jesus.
May the celebration never cease in our home. May God surround me and you with people who genuinely love and celebrate God’s gift in your life,” she posted.
Her colleagues and fans congratulated her on this feat. Rejoicing with her, Bimpe Akintunde wrote, “Congratulations, Iye mi
The actress is known for playing a deaf woman and mother in the Yoruba movie industry.
Last year, she was conferred with a chieftaincy title in Texas Ijebuland, which is (Yeye Owu Ojuwo of Ijebuland)
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