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2025 AMVCA: Full list of winners as Lateef Adedimeji’s Lisabi wins big

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The 11th edition of the Africa Magic Viewers’ Choice Awards (AMVCA) was an eventful night for Nollywood stars across the continent as Lateef Adedimeji’s Lisabi (The Uprising) scooped multiple awards.

 

Also, Femi Adebayo’s film Seven Doors clinched two of the most coveted awards — Best Lead Actor (Femi Adebayo) and Best Lead Actress (Chioma Chukwuka), cementing its place as one of the standout productions of the year.

 

The awards ceremony, which held on Saturday night, also celebrated veterans, Sani Mu’azu and Nkem Owoh, with the Lifetime Achievement Awards, while director, Kayode Kasum took home the Trailblazer Award for his fresh, genre-defying impact on the industry.

 

AMVCA celebrates excellence in African film and television, bringing together the continent’s brightest stars and industry professionals.

 

This year’s nominations recognise works released between January 1 and December 31, 2024. Leading the pack are Lisabi: The Uprising, Skeleton Coast, House of Ga’a, and Freedom Way, with multiple nods in major categories, including Best Movie and Best Director.

 

Here is the full list of winners at the 2025 AMVCA:

 

Best Series Scripted

Cheta M

Inside Life – Winner

Princess on a Hill

Roses & Ivy

Seven Doors

 

 

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Home » Entertainment » 2025 AMVCA: Full list of winners as Lateef Adedimeji’s Lisabi wins big

Entertainment

2025 AMVCA: Full list of winners as Lateef Adedimeji’s Lisabi wins big

Femi Akinyemi

May 10, 2025

Lateef Adedimeji’s Lisabi

 

The 11th edition of the Africa Magic Viewers’ Choice Awards (AMVCA) was an eventful night for Nollywood stars across the continent as Lateef Adedimeji’s Lisabi (The Uprising) scooped multiple awards.

 

Also, Femi Adebayo’s film Seven Doors clinched two of the most coveted awards — Best Lead Actor (Femi Adebayo) and Best Lead Actress (Chioma Chukwuka), cementing its place as one of the standout productions of the year.

 

 

ALSO READ: 2025 AMVCA: Femi Adebayo wins ‘Best Lead Actor’

 

The awards ceremony, which held on Saturday night, also celebrated veterans, Sani Mu’azu and Nkem Owoh, with the Lifetime Achievement Awards, while director, Kayode Kasum took home the Trailblazer Award for his fresh, genre-defying impact on the industry.

 

AMVCA celebrates excellence in African film and television, bringing together the continent’s brightest stars and industry professionals.

 

 

This year’s nominations recognise works released between January 1 and December 31, 2024. Leading the pack are Lisabi: The Uprising, Skeleton Coast, House of Ga’a, and Freedom Way, with multiple nods in major categories, including Best Movie and Best Director.

 

 

Here is the full list of winners at the 2025 AMVCA:

 

Best Series Scripted

Cheta M

Inside Life – Winner

Princess on a Hill

Roses & Ivy

Seven Doors

 

 

Best Series Unscripted

Ebuka Turns Up Africa

Skillers: The Building Reality Show

Style Magnate

Take Me Home

Wa Milele – Winner

 

Best MultiChoice Talent Factory

Gone (West Africa)

Everything Light Touches (West Africa) – Winner

The Immersive Alarm (East Africa)

Deadbeat (East Africa)

Mwananga (Southern Africa)

Rivals in Time (Southern Africa)

 

 

Best Lead Actor

Gideon Okeke (Tokunbo)

Bucci Franklin (The Weekend)

Femi Branch (House of Ga’a)

Thapelo Makoena (Skeleton Coast)

Bimbo Manuel (Princess On A Hill)

Stan Nze (Suspicion)

Femi Adebayo (Seven Doors) – Winner

Adedimeji Lateef (Lisabi – The Uprising)

 

Best Lead Actress

Chioma Chukwuka (Seven Doors) – Winner

Gbubemi Ejeye (Farmer’s Bride)

Uzoamaka Onuoha (Agemo)

Uche Montana (Thinline)

Uzoamaka Aniunoh (Phoenix Fury)

Hilda Dokubo (The Uprising: Wives On Strike 3)

Bimbo Ademoye (Anikulapo: Rise Of The Spectre)

 

 

Best Scripted M-Net Original

Uriri

All Mine

My Fairytale Wedding – Winner

Italo

The Caller

Kam U Stay

 

Best Supporting Actor

Gabriel Afolayan – Inside Life – Winner

Adedayo Adebowale Macaroni – Lisabi: The Uprising

Aliu Gafar – Seven Doors

Femi Jacobs – Freedom Way

Richard Mofe-Damijo – Christmas In Lagos

Uzor Arukwe – Suspicion

Mike Afolarin – House of Ga’a

Efa Iwara – Princess on a Hill

 

Best Supporting Actress

Meg Otanwa – Inside Life

Tina Mba – Suspicion

Ireti Doyle – All’s Fair in Love

Ini Dima-Okojie – Skeleton Coast

Mercy Aigbe – Farmer’s Bride – Winner

Omoni Oboli – The Uprising: Wives on Strike 3

Darasimi Nnadi – Aburo

 

Best Music/Score

Freedom Way

Inkabi

Seven Doors – Winner

Skeleton Coastl

Soft Love

 

Best Short Film

Brukaci – Winner

Sukari

The Incredible Sensational Fiancée of Seyi Ajayi

What Are You Truly Afraid Of?

 

Best Editing

Inkabi (Tongai Furusa) – Winner

Christmas in Lagos (Martini Akande)

Skeleton Coast (Jordan Koen)

Soft Love (Holmes Awa, Paballo Modingoane)

Lisabi: The Uprising (Anthill Studios)

Princess on a Hill (Laughter Ephraim,

Peter Ugbede)

 

Best Digital Content Creator

Iyo Prosper – Winner

Jide ‘Pounds’ Ibitoye

Mariam Akpaokagi-Greene (Taaooma)

Ariyike Dimples

Elozonam

 

 

Best Unscripted M-Net Original
Husband Material
Nigerian Idol (Season 9) – Winner
Overall Best
Pastor Wants a Wife

Best Indigenous M-Net Original
Mai Shayi
The Caller
Show Me The Way
Ebighi Ebi
Subterranea
Onye Agbata Obim
Amoanimaa’s Era
Zim Uzo – Winner

 

Best Documentary

Walvis Tale — David Benade and Tim Huebschle

Dundun — Ifeoluwa Fatogun and Ebi Atawodi – Winner

O.Y.O (On Your Own) — Daniel Omokhagbo Itegboje

Women of Salt: The Resilience of Ebonyi’s Woman — Jessica Eneh, Eric Chidom, Kelechi Agbara, and Vera Okoh

I Will Remember You — Mohamed Rida Gueznai

 

Best Cinematography

Yen Ara Asaase Ni (This Is Our Land) — Onasis Gaisie, Michael Sefa, and Apagnawen Annankra

Inkabi — Chuanne Blofield

The Legend of the Vagabond Queen of Lagos — Leo Purman –Winner

Skeleton Coast — Wesley Johnston

Soft Love — Ebrahim Hajee

Lisabi: The Uprising — Barnabas Emordi and Nora Awolowo

Agemo — Papama Tangela

 

Best Indigenous Language Film (West Africa)

Seven Doors

Lisabi: The Uprising – Lateef Adedineji – Winner

Kaka

Anikulapo: Rise of the Spectre

Mai Martaba

 

Best Indigenous Language Film (South Africa)

Walvis Tale

The Vow

Mwizukanji – Winner

Man of Gold

Lukas

 

Best Writing in a Movie

The Weekend — Egbemawei Dimiyei Sammy, and Vanessa Kanu, and Frederick O. Anyaebunam Jnr

Skeleton Coast — Omolola Lamikanra

Freedom Way — Blessing Uzzi – Winner

Phoenix Fury — Ifeoma N. Chukwuogo

A Ghetto Love Story — Victoria Eze

House of Ga’a — Tunde Babalola

Christmas In Lagos — Jadesola Osiberu

 

Best Writing TV Series

Untying Kantai – Winner

Tuki?

Roses & Ivy

Cheta’M

Seven Doors

Anikulapo: Rise of the Spectre

Princess On A Hill .

 

Best Sound/Sound Design

Inkabi

Seven Doors

Freedom Way

Lisabi: The Uprising

Ajakaju: Beast Of Two Worlds

Suspicion – Winner

 

Best Makeup

Anikulapo: Rise of the Spectre

Lisabi: The Uprising – Winner

Seven Doors

Farmer’s Bride

Clarence Peters’ Inside Life

Suspicion

 

Best Art Direction

Anikulapo: Rise of the Spectre

Christmas In Lagos

Farmer’s Bride

Seven Doors

The Man Died

Lisabi: The Uprising – Winner

 

Best Art Direction

Anikulapo: Rise of the Spectre

Christmas In Lagos

Farmer’s Bride

Seven Doors

The Man Died

Lisabi: The Uprising – Winner

 

Best Costume Design

Toyin Ogundeji – Anikulapo: Rise of the Spectre

Bolanle Austen- Peters, Yolanda Okereke, Juliana Dede, Gloria Oyu – House Of Ga’a

Oluwatoyin Balogun, Oyeade Adeimpe Adedimeji – Lisabi: The Uprising

Opeyemi Sogeke – Phoenix Fury

Adedamola Adeyemi – Christmas In Lagos – Winner

 

-Tribune

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Education

NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu

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The Executive Director/Chief Executive Officer of the National Film and Video Censors Board (NFVCB), Dr Shaibu Husseini, has called for stronger distribution frameworks within Nigeria’s film industry to ensure that locally produced content achieves global visibility.


‎Dr Husseini made this call while delivering the keynote address at the opening ceremony of the 2026 edition of the Coal City Film Festival, held in Enugu.
‎Welcoming participants to the festival, Dr Husseini expressed his personal delight at hosting the event in Enugu, his birth state, noting the city’s rich cultural heritage and longstanding contributions to Nigeria’s creative landscape.

‎He commended the festival organisers, particularly the Festival Director, Uche Agbo, for their resilience and commitment in sustaining the initiative.

‎ According to him, the Coal City Film Festival has grown into a significant cultural platform and a must-attend cinematic event in South East Nigeria.
‎Speaking on the festival’s theme, “Local Stories, Global Screens,” Dr Husseini emphasised the importance of authenticity in storytelling. He noted that films rooted in local realities, languages, and cultural truths often resonate more strongly with global audiences.

‎He cited notable Nigerian productions such as “King of Boys” by Kemi Adetiba, “The Wedding Party” by Mo Abudu, “Anikulapo” by Kunle Afolayan, “Black Book” by Editi Effiong, and “Lionheart” by Genevieve Nnaji as examples of culturally grounded stories that have gained international recognition on platforms such as Netflix and at global film festivals.

‎While acknowledging the growth in film production across Nigeria, the NFVCB boss identified distribution as a major bottleneck in the industry. He observed that many high-quality films struggle to reach audiences both locally and internationally due to limited distribution channels.

‎Dr. Husseini therefore urged film festivals across the country to evolve beyond networking platforms into active marketplaces where filmmakers can secure distribution deals. He stressed that festivals must attract distributors, exhibitors, streaming platforms, and marketers to create tangible opportunities for filmmakers.

‎“Film festivals must become gateways to distribution where filmmakers leave not just with applause, but with real opportunities,” he said.

‎Reaffirming the Board’s commitment to industry development, Dr. Husseini stated that the NFVCB has continued to reposition itself as a partner in progress by engaging stakeholders, improving classification processes, and promoting a balance between creative freedom and social responsibility.

‎However, he raised concerns over increasing non-compliance with regulatory requirements, noting that some filmmakers bypass the Board by releasing unclassified films or operating without proper licensing.

‎He reiterated that all films and video works must be submitted to the NFVCB for classification and registration before being released on any platform, including digital platforms such as YouTube.

‎“This is a legal obligation, and the Board will not hesitate to take decisive action against defaulters,” he warned, adding that regulation is essential for protecting the industry, audiences, and national values.

‎Looking ahead, Dr. Husseini assured stakeholders of the Board’s continued collaboration with filmmakers and festival organisers to build a structured, sustainable, and globally competitive Nigerian film industry.

‎He concluded by commending the organisers of the Coal City Film Festival for their vision and contribution to Nigeria’s cultural economy, urging filmmakers to continue telling authentic stories that can resonate across global screens.

 

 

-Leadership

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Entertainment

Talentless Artists Use ‘Afrobeats’ To Hide Their Lack Of Skill – Ruggedman

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Veteran rapper Michael Ugochukwu Stephens, popularly known as Ruggedman, has criticised the use of “Afrobeats” as a catchall term for all African music, calling it misleading.

In a recent interview with Day Genius, the rapper argued that the term is often used to group artistes who lack real talent and rely only on catchy beats.

Ruggedman expressed his dislike for the “Afrobeats” tag, noting that it was a mistake from the beginning to put every sound from the continent under one umbrella.
“For me, Afrobeats with an ‘S’ is a name talentless Nigerians hide behind. All you need to make a hit is just a good beat and street slang. Then you repeat it many times and spend money to promote it,” he said.

The rapper also claimed that many artists in this category struggle with live performances and freestyling because they depend too much on autotune and studio effects.

He noted that the trend of tagging every African song as Afrobeats started in the UK.
Ruggedman added that when he first complained about the name, people accused him of jealousy, but he insists it misrepresents the diversity of African music.
-Leadership

 

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Entertainment

Nollywood Actress Mama No Network Gets New Car

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Nollywood actress and comedian, Kudirat Abeniade Soremi, popularly known as Mama No Network, has bought a new car.

 

She posted on her Instagram page and shared pictures of her new car, congratulating herself.

Praying for her fans, the actress declared that celebration will never cease in her home and that God will keep surrounding them with people who genuinely love and celebrate God’s gifts in their lives.

“Congratulations to me. Your car is next in line for Jesus.
May the celebration never cease in our home. May God surround me and you with people who genuinely love and celebrate God’s gift in your life,” she posted.

Her colleagues and fans congratulated her on this feat. Rejoicing with her, Bimpe Akintunde wrote, “Congratulations, Iye mi

Tawa Ajisefinni wrote, “Congrats ma
One ola_mhii_ wrote, “Next one na Lambo insha Allah
One miloz_glam wrote, “Congratulations ma

The actress is known for playing a deaf woman and mother in the Yoruba movie industry.

Last year, she was conferred with a chieftaincy title in Texas Ijebuland, which is (Yeye Owu Ojuwo of Ijebuland)

 

 

-Leadership

 

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