Entertainment
2Baba Apologises Over Viral ‘Men Not Built For One Woman’ Comment
Music sensation, Innocent Idibia, popularly known as 2Baba, has issued a public apology to his wife, Natasha, their children, and his fans, following the backlash that trailed his recent comments about male sexuality and monogamy.
The singer, during a recent podcast appearance, stirred national debate after he asserted that men are not biologically built to remain sexually faithful to one woman, even when they are deeply in love.
“A man is not built to sexually be with one woman,” 2Baba said. “A man can love one woman die, but it’s impossible for a man to sexually be with only one woman. It’s the biology of man.”
The statement sparked outrage across social media platforms, with critics accusing the award-winning artiste of promoting toxic masculinity and justifying infidelity.
While some came to his defence, describing his comments as “uncomfortable but honest,” the dominant reaction was one of disappointment, especially among his female fans and followers of his decades-long love story with his wife.
Responding to the criticism, 2Baba posted a video late Tuesday night where he expressed deep remorse, describing his earlier remarks as “unlegendary.”
“I know I f**ked up with what I said and I know I’m going to get cancelled because of it,” he admitted.
“I apologise to my fans and most importantly, my wife, the love of my life, Natasha, and also my kids. I’m terribly sorry. That’s not who I am.”
The apology has since gone viral, with reactions split between forgiveness and continued criticism.
While some praised the veteran singer for owning up to his mistake, others questioned the sincerity of the apology, citing past controversies around his marital life.
2Baba, widely regarded as one of Africa’s greatest musical icons, has long been in the public eye not just for his music, but for his complex romantic history, especially when he announced his separation from his longtime love, Annie Macauley.
-Leadership
Education
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
The Executive Director/Chief Executive Officer of the National Film and Video Censors Board (NFVCB), Dr Shaibu Husseini, has called for stronger distribution frameworks within Nigeria’s film industry to ensure that locally produced content achieves global visibility.
Dr Husseini made this call while delivering the keynote address at the opening ceremony of the 2026 edition of the Coal City Film Festival, held in Enugu.
Welcoming participants to the festival, Dr Husseini expressed his personal delight at hosting the event in Enugu, his birth state, noting the city’s rich cultural heritage and longstanding contributions to Nigeria’s creative landscape.
He commended the festival organisers, particularly the Festival Director, Uche Agbo, for their resilience and commitment in sustaining the initiative.
According to him, the Coal City Film Festival has grown into a significant cultural platform and a must-attend cinematic event in South East Nigeria.
Speaking on the festival’s theme, “Local Stories, Global Screens,” Dr Husseini emphasised the importance of authenticity in storytelling. He noted that films rooted in local realities, languages, and cultural truths often resonate more strongly with global audiences.
He cited notable Nigerian productions such as “King of Boys” by Kemi Adetiba, “The Wedding Party” by Mo Abudu, “Anikulapo” by Kunle Afolayan, “Black Book” by Editi Effiong, and “Lionheart” by Genevieve Nnaji as examples of culturally grounded stories that have gained international recognition on platforms such as Netflix and at global film festivals.
While acknowledging the growth in film production across Nigeria, the NFVCB boss identified distribution as a major bottleneck in the industry. He observed that many high-quality films struggle to reach audiences both locally and internationally due to limited distribution channels.
Dr. Husseini therefore urged film festivals across the country to evolve beyond networking platforms into active marketplaces where filmmakers can secure distribution deals. He stressed that festivals must attract distributors, exhibitors, streaming platforms, and marketers to create tangible opportunities for filmmakers.
“Film festivals must become gateways to distribution where filmmakers leave not just with applause, but with real opportunities,” he said.
Reaffirming the Board’s commitment to industry development, Dr. Husseini stated that the NFVCB has continued to reposition itself as a partner in progress by engaging stakeholders, improving classification processes, and promoting a balance between creative freedom and social responsibility.
However, he raised concerns over increasing non-compliance with regulatory requirements, noting that some filmmakers bypass the Board by releasing unclassified films or operating without proper licensing.
He reiterated that all films and video works must be submitted to the NFVCB for classification and registration before being released on any platform, including digital platforms such as YouTube.
“This is a legal obligation, and the Board will not hesitate to take decisive action against defaulters,” he warned, adding that regulation is essential for protecting the industry, audiences, and national values.
Looking ahead, Dr. Husseini assured stakeholders of the Board’s continued collaboration with filmmakers and festival organisers to build a structured, sustainable, and globally competitive Nigerian film industry.
He concluded by commending the organisers of the Coal City Film Festival for their vision and contribution to Nigeria’s cultural economy, urging filmmakers to continue telling authentic stories that can resonate across global screens.
-Leadership
Veteran rapper Michael Ugochukwu Stephens, popularly known as Ruggedman, has criticised the use of “Afrobeats” as a catchall term for all African music, calling it misleading.
In a recent interview with Day Genius, the rapper argued that the term is often used to group artistes who lack real talent and rely only on catchy beats.
The rapper also claimed that many artists in this category struggle with live performances and freestyling because they depend too much on autotune and studio effects.
Nollywood actress and comedian, Kudirat Abeniade Soremi, popularly known as Mama No Network, has bought a new car.
She posted on her Instagram page and shared pictures of her new car, congratulating herself.
“Congratulations to me. Your car is next in line for Jesus.
May the celebration never cease in our home. May God surround me and you with people who genuinely love and celebrate God’s gift in your life,” she posted.
Her colleagues and fans congratulated her on this feat. Rejoicing with her, Bimpe Akintunde wrote, “Congratulations, Iye mi
The actress is known for playing a deaf woman and mother in the Yoruba movie industry.
Last year, she was conferred with a chieftaincy title in Texas Ijebuland, which is (Yeye Owu Ojuwo of Ijebuland)
-Leadership
NFVCB Boss Urges Stronger Distribution Channels As Coal City Film Festival 2026 Opens In Enugu
Wike Reaffirms Nigeria–EU Ties, Moves To Reclaim Encroached Diplomatic Lands
Inspector-General Disu Submits 75-Page Framework On ‘State Police’ To Senate As Push Gains Momentum
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