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Court Stops Police From Arresting OAP Nedu Wazobia Over Alleged Breach Of Contract

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‎Justice Dehinde Dipeolu of the Federal High Court in Lagos has restrained the Inspector-General of Police (IGP) from arresting, detaining, or interrogating popular on-air personality, Chinedu Ani, popularly known as Nedu Wazobia, over an allegation of breach of contract.

‎Justice Dipeolu granted the interim order after listening to an ex-parte application filed by Nedu Wazobia and five others who sought protection for their fundamental rights.

‎The judge specifically barred the Inspector-General of Police, the Assistant Inspector-General of Police at Alagbon, and other officers from summoning or detaining the applicants over a contract dispute with the management of Metropolitan School of Business.

‎However, the judge refused to grant a second relief seeking to compel the police to maintain the status quo concerning all matters related to the transactions between the parties.

‎Other respondents in the suit are Victor Ariyibi-Oke, Mrs. Tolulope Ariyibi-Oke, CSP Ngozi Braide, ASP Stephen Onihane, and Inspector Echeng Julius.

‎Other applicants besides Nedu include Sarah Williams-Konha, Avalon Okpe, Ada Okpe, Barbara Okwaranobi, and Tokindrumz Pictures and Media Nigeria Ltd.

‎In an affidavit attached to the suit, the applicants claimed that they partnered with the respondents in early 2024 for an educational charity initiative to raise school fees for underprivileged students.

‎They averred that the project included a high-profile fundraising gala, which the respondents had agreed to sponsor at an estimated cost of over N83 million.

‎The applicants also stated that despite the successful event held in March 2024, which generated both pledges and cash donations, the respondents allegedly demanded a refund of N60 million without justification.

‎They alleged that after the breakdown of their partnership, the respondents petitioned the police, resulting in repeated summons and alleged harassment of the applicants.

‎The applicants stated that some of them were unlawfully detained in July 2025, while others had their passports seized by the police.

‎They insisted that the dispute was purely contractual and should not have prompted a criminal investigation.

‎In their motion, they requested the court to declare the police actions unlawful, unconstitutional, and an abuse of power.

‎They also sought an order requiring the police to return their seized passports and to prevent further harassment regarding the contractual dispute.

‎Additionally, they demanded N2 billion in damages against the respondents for the alleged infringement of their fundamental rights.

‎-Leadership

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Davido breaks silence after Grammy Award loss

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Five-time Grammy nominee, David Adeleke, popularly known as Davido, has reacted after losing the Best African Music Performance category at the 68th Grammy Awards held in Los Angeles, United States.

 

The Afrobeats star shared a message of faith and resilience following the outcome of the ceremony, which took place on Sunday night at the Crypto.com Arena in California.

In a post on his Instagram page, Davido shared photos with his wife, Chioma, from the event and wrote, “Oluwa Dey my side,” alongside prayer and music emojis.
Hours later, he posted another set of pictures of himself and Chioma at the Grammys, reflecting on the loss in a longer caption.

“I said baby listen we lost again let’s not go ! she said ‘Be humble in victory and gracious in defeat’ we outside,” he wrote.
Chioma also reacted via her Instagram page, praising the singer, “You already know that you’re the perfect one, @davido,” she wrote, while sharing photos from the awards night.
Davido was nominated in the Best African Music Performance category at the 2026 Grammy Awards but lost to South African singer Tyla, who won with her song Push 2 Start.

Other nominees in the category included Burna Boy (Love), Ayra Starr and Wizkid (Gimme Dat), Davido (With You featuring Omah Lay), and Eddy Kenzo and Mehran Matin (Hope & Love).

The win marked Tyla’s second Grammy Award, following her first victory in 2024 for her hit single Water.

Speaking during the awards ceremony, the singer revealed that With You, featuring Omah Lay, almost did not make the final tracklist of his album 5IVE.
“Man, it’s so crazy because that song almost didn’t make the album. With You was not in anybody’s top five.
“And now look at it go. Every time I was performing it, my heart would just start beating like, what if I didn’t put this song?” he told OkayAfrica.

Davido also recounted how he learned about the Grammy nomination, saying the news came unexpectedly while he was in Dubai, days before his birthday.

“I was in the car, actually, checking a car, and then my phone rang. They were like, ‘Oh yeah, another nomination.’ I was like, wow. Thank God,” he said.

“With You” was released in April 2025 as the 17th track on Davido’s fifth studio album, 5IVE, and has since become one of his most successful recent records, surpassing 100 million streams on Spotify.

Despite the song’s success, Nigeria did not record a win at the 2026 Grammy Awards.
Davido said he is now focused on touring and releasing new music.

He is also billed to perform at Coachella 2026, where he will be the only Nigerian artiste on the festival lineup, performing on April 11 and April 18, 2026, in Indio, California.

-Guardian

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Kunle Afolayan gives reasons to marry many women

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Nollywood filmmaker, Kunle Afolayan, has stirred reactions after advising men to “marry many women” while reflecting on his upbringing in a polygamous home.

 

The actor and producer made the remarks at the watch party of Aníkúlápó: The Ghoul Awakens, with a clip from the event going viral on Tuesday.

Speaking at the event, Afolayan linked his existence and achievements to his late father’s decision to marry several wives.

“Without my father, there wouldn’t have been a KAP Village or even Kunle Afolayan. I am the seventh born of my father because my father had ten wives. For the men, marry many women, or rather be involved with many women. You know why? If my father didn’t, he would not have born me, and that is the honest truth. But today, a few of us are lifting his legacy. Life is short, death is constant. Nobody has life forever. Everybody has a period. Use your period,” he said.

While his daughter, Eyiyemi Afolayan, joined him on stage, the filmmaker compared his childhood experience with his relationship with his children.

“They are lucky. For her, staying by my side is luck. Do you know why? I couldn’t stand it with my father. My father didn’t know my school. My father didn’t know my date of birth. He did not know anything about me other than, ‘He is the son of that person.’ But today, I’m so proud of my father,” he added.

Afolayan also spoke about fatherhood.

“Sometimes when people say ‘Happy Father’s Day,’ I’m always saying whether he pays child support or not, he’s still a father. I have been going to court because I want to get a divorce. I don’t mind being in the witness box, and I experienced the shit, so that I can marry many wives,” he said.

He thereafter prayed for his daughter, praising her role in the series.

“Hephzibah, her mother is the one who gave her the name. I don’t care, but I am proud of you. You started with the film, you did the first season, and now with the second season, you did amazingly well. My good Lord will continue to increase you in wisdom, in knowledge, and in understanding. If this is your path, the good Lord will see you through.”
However, this is not the first time the filmmaker has spoken about his late father’s polygamous lifestyle.

In March 2021, Afolayan told BBC Pidgin that his father, Adeyemi Afolayan, who died in 1996, married 10 wives and had 25 children, a decision he said took a toll on the family.

“I would not want to marry many wives because my father had 10 wives and I knew what happened throughout that period. I knew that really distracted my father. In this age, nobody needs to tell you before you know what’s right,” he said at the time.

He also disclosed that growing up in a polygamous home affected bonding among the children due to language and other barriers.

Afolayan further narrated how he battled poverty in his early years, revealing that he once lived in a one-room apartment in Ebute-Metta and sometimes had to deal with flooding.

“I was born in Ebute-Metta and have lived in one-room apartment before that we even have to grapple with flood sometimes. It’s not shame to say have been poor before. But if you see how l made it, it’s a matter of consistency. My father was a very popular filmmaker and ordinarily, people would expect me to life the kind of live akin to Hollywood stars,” he said.

“But that wasn’t the case. How would one live such life when you’re living in a room with ten women. That doesn’t mean there was no love among us.”

He had advised young filmmakers to start with the little resources available to them while working towards their dreams.

 

-Guardian

 

 

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‘N10m Box Office Remark Was Sarcastic’, Toyin Abraham Clarifies Kunle Afolayan’s Comments

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Actress Toyin Abraham’s management has clarified recent comments attributed to filmmaker Kunle Afolayan regarding box office earnings, explaining that his mention of a producer earning #10 million from a #1 billion or #2 billion cinema gross was meant sarcastically, not as a factual statement.

 

In a statement released on Monday, Abraham’s manager, Samuel Olatunji of The Hype Agency, noted that the actress had received numerous calls and messages requesting her reaction to Afolayan’s remarks on film profitability and promotion in Nollywood.

The statement highlighted that Abraham understood Afolayan’s broader point about the realities of the filmmaking business, particularly the distinction between headline box office figures and the actual returns producers receive.

However, it added that the tone of the comments, which circulated from Afolayan’s film premiere, was perceived by some in the industry as dismissive of the significant effort, financial risk, and sacrifices made in building Nollywood, especially by women.

According to the statement, Afolayan personally reached out to Abraham to clarify his remarks after the issue gained traction publicly.

“During that conversation, she expressed her concerns, particularly about how the comments could be interpreted as disregarding the efforts of others.

“Mr Afolayan clarified the context and intent of his remarks, and the issue was addressed maturely. Both parties have since moved on,” the statement said.

The management described it as unfortunate that some expected Abraham to publicly attack or criticise Afolayan, stressing that their professional relationship, which spans many years, has never been contentious.

The statement also dismissed circulating claims that Abraham remained silent because she had previously questioned whether films could gross ₦1 billion at the box office.

“This narrative is completely untrue. She is close to industry stakeholders responsible for box office reporting and has access to certified and verifiable figures. There is no basis for doubting credible numbers,” it said.

Further, the statement emphasized that Abraham has never objected to the box office success of any filmmaker. Her focus has consistently been on ensuring fair and adequate cinema showtimes, which directly influence box office performance and revenue.

While recognising the achievements of filmmakers currently posting top box office numbers, the statement described these milestones as commendable, especially in an industry ecosystem that remains largely challenging for producers.

“These successes have been recorded despite rising production costs, limited screens, revenue-sharing structures and multiple statutory deductions. Despite these challenges, the industry continues to grow and break new ground,” it added.

“For the avoidance of doubt, Mr Afolayan’s reference to ten million naira was clearly sarcastic. No producer earns ten million naira from a one billion naira or two billion naira box office performance,” the statement concluded.

The management called on industry stakeholders to use the moment to address structural challenges and explore sustainable models that improve returns on investment for filmmakers, rather than fuel public disagreements.

The clarification comes amid social media controversy following Afolayan’s recent remarks on film promotion and box office culture.

 

-Leadership

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