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Dauda Lawal: Between Leadership Award and Zamfara Reality

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There are moments when public honours become mirrors that doesn’t reflect virtue but to magnify dissonance. Governor Dauda Lawal’s recent acclamation as “Governor of the Year” by Leadership newspapers should, in a sane political economy, invite sober celebration only if the facts on the ground corroborate the plaudits. But in Zamfara, where villages are sacked, whole communities flee in fear, educational system keep declining in the wake of violence, and mass abductions have become grim headlines, the award reads less like recognition than a rhetorical conjuring trick.

 

The editorial board that printed the accolade owes Nigerians an apology for easily being misled: how did the red ink miss the echoes of wailings and the river of bloods that flow through Zamfara today?

 

Let us begin with the unassailable facts. Over the past months, and indeed years, Zamfara has been one of the epicentres of Nigeria’s northwestern security catastrophe. Evidently, reports from reputable international media and rights groups have documented catastrophic violence like brutal mass killings in mining towns, the abduction of scores of villagers in single operations, and the sacking of hundreds of communities that have produced waves of internally displaced persons. Amnesty International and Reuters, among others, have catalogued attacks that leave behind corpses, razed homes, and scarred families. These are not the figments of partisan reportage; they are verifiable tragedies with names, dates, and grieving families.

 

If an award is to have any moral weight, it must answer this simple ledger: have lives been preserved under your watch, or have they been squandered? Has the governor provided a credible roadmap toward safety, or has he delivered platitudes and photo-opportunities while bandits seize towns and terrorize children? The empirical answer, as chronicled by independent observers is damning. Recent attacks in Zamfara have included mass abductions. One reported incident alone saw over 100 people taken, and repeated massacres in villages where citizens were slaughtered as they laboured. An outbreak of cholera in Bukkuyum and the deaths recorded there are not incidental; they are symptomatic of collapsed access to health, water, and security which are the very public goods that should mark competent stewardship of a state. Unfortunately, the massive federal allocation are only seen in the frivolous spending and luxurious purchase made by the governor and his cabinets, but not reflective in the lives of Zamfarans.

 

And yet, on glossy pages and curated websites, a different narrative is being sold: that a governor whose tenure coincides with such human carnage deserves a laurel. This is not merely a question of taste; it is an ethical indictment of how awards are dispensed and of what our public culture has become. When honour is decoupled from measurable public welfare and instead telescoped into ceremony, we impoverish language itself. Words like “leadership” and “transformational” warp into euphemisms for impunity. If an editorial board is prepared to bless a record marred by abandoned communities, the public is entitled to ask whether the accolade Is commensurate with performance or contaminated by other influences. Indeed, social scepticism is not cynicism; it is a civic alarm that sounds when lived reality diverges dramatically from celebratory headlines.

 

It Is tempting and rhetorically effective to leap to causation: Yes! awards are being bought; editorial independence is for sale; governors are laundering reputations with chequebooks. But responsible criticism requires discipline. In the absence of a smoking gun that proves pay-for-play in this specific case, the argument must rest on demonstrable incongruity and pattern. Across Nigeria, there have been recurring controversies where awards and honours were criticized for being influenced by patronage, and commentators have warned that some prizes have become transactional. What we can say with confidence is this: where public life is ravaged by banditry and humanitarian collapse, the optics of bestowing “Governor of the Year” warrants interrogation, not because the act of awarding is per se illegitimate, but because the moral calculus of governance demands that survival and dignity must come before plaudits.

 

The human cost of misgovernance is not an abstraction. Mothers in Zamfara and cradle children who have lost fathers to kidnappers; entire marketplaces lie empty because people fear to travel; mothers with infants cannot reach clinics because roads are controlled by armed men on motorcycles. These daily indignities corrode social trust and exact stealthy, intergenerational harm. When an editorial desk fails to look these mothers in the face and instead crowns their governor, the message sent is corrosive: that rhetoric can substitute for remedy, and that spectacle can displace sorrow. The moral outrage that follows is neither theatrical nor petty; it is a legitimate expression of popular grief and righteous indignation of personal experience.

 

However, it is important to consider the broader data of how human-rights organizations and investigative outlets have documented thousands killed, villages burnt down, and how hundreds of thousands were displaced across Zamfara State. These can only be a result of structural failures; failures of intelligence, of community protection, of preventive policing, and of governance allocation. If a governor’s tenure coincides with such systemic collapse, editorial boards should, at minimum, scrutinize if the state apparatus has been deployed, how it has been deployed to protect citizens. Obviously, Dauda Lawal’s administration has not strengthened local security architecture, ensured functioning clinics and safe water points, and has not exercised fiscal courage to fund durable counter-insurgency measures.

 

When the governor and his apologists insist on celebrating awards, they must be asked to explain, with documents and demonstrable outcomes, why the lives of their citizens were not the primary metric considered. What specific policies, funded projects, or security innovations justify a Governor of the Year title? Are there transparent records showing reductions in incidents, successful rescue operations, improved infrastructure, rehabilitated health centres, or secure corridors that allow commerce to resume? Or is the award a prophylactic meant to sanitize a political brand while the rot continues underneath? The difference between governance and marketing is precisely this: the former is accountable to the ledger of life; the latter is answerable only to visibility.

 

We must also confront the rhetorical posture that seeks to delegitimise popular critique by branding it as mere “political attacks.” When mothers cries for their missing children, when communities cannot till fields for fear of ambush, when clinics close because health workers cannot commute, the critiques that arise are not partisan truculence; they are the anguished responses of citizens demanding protection. To dismiss these legitimate cries as envy or opposition theatre is to perpetrate a moral inversion: those who ask for security are branded as troublemakers while those who preside over their vulnerability are lauded. If the editorial pages are to retain moral authority, they must resist becoming instruments for image laundering.

 

What, then, should be the civic response? First, Newspapers must demand transparency before publication. Newspapers that confer high honours must publish their criteria, and the evidentiary basis for their choices. If “Governor of the Year” is to mean anything beyond a headline, it must be backed by transparent metrics: measurable improvements in healthcare access, documented reductions in violence, convincingly audited security spending, and demonstrable community rehabilitation. Second, insist on investigative curiosity: it is important for civil society and independent media to probe the governance ledger, which are budgets, procurement processes, and security strategies. Third, let the people of Zamfara judge for themselves: community hearings, testimony from survivors, and on-the-ground reportage should be the sources that shape public memory, not paid-for adverts or celebratory galas.

 

Finally, there is a moral plea. Awards are supposed to confer encouragement on those who have alleviated suffering, not camouflage those who have presided over it. If Governors wish to be celebrated, let them first clear a simple threshold: make their states safer, make clinics work, make schools open, restore markets, and stop the nightly toll of abductions and killings. Let them invite independent monitors to verify progress. Let their citizens sleep without fear. Only then will a “Governor of the Year” title be more than a headline: it will be a justly earned tribute.

 

To the editorial board that printed the accolade, and to every Nigerian watching: do not let ceremony smother scrutiny. To the shameless governor who accepted it: Honor must be tethered to the dignity of life. In Zamfara today, that dignity is endangered; mothers weep while trumpets sound. If honour is to mean anything at all, let it begin by answering the children’s cries and the empty chairs at family tables. Let the paychecks of Civil servants bring smiles to their faces. Until then, a paper’s gold foil Is a poor balm for the blood and the silence.

 

Ajogwu is a security expert writing from Kaduna.

 

 

 

 

 

 

 

 

 

 

 

 

 

Entertainment

Davido breaks silence after Grammy Award loss

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Five-time Grammy nominee, David Adeleke, popularly known as Davido, has reacted after losing the Best African Music Performance category at the 68th Grammy Awards held in Los Angeles, United States.

 

The Afrobeats star shared a message of faith and resilience following the outcome of the ceremony, which took place on Sunday night at the Crypto.com Arena in California.

In a post on his Instagram page, Davido shared photos with his wife, Chioma, from the event and wrote, “Oluwa Dey my side,” alongside prayer and music emojis.
Hours later, he posted another set of pictures of himself and Chioma at the Grammys, reflecting on the loss in a longer caption.

“I said baby listen we lost again let’s not go ! she said ‘Be humble in victory and gracious in defeat’ we outside,” he wrote.
Chioma also reacted via her Instagram page, praising the singer, “You already know that you’re the perfect one, @davido,” she wrote, while sharing photos from the awards night.
Davido was nominated in the Best African Music Performance category at the 2026 Grammy Awards but lost to South African singer Tyla, who won with her song Push 2 Start.

Other nominees in the category included Burna Boy (Love), Ayra Starr and Wizkid (Gimme Dat), Davido (With You featuring Omah Lay), and Eddy Kenzo and Mehran Matin (Hope & Love).

The win marked Tyla’s second Grammy Award, following her first victory in 2024 for her hit single Water.

Speaking during the awards ceremony, the singer revealed that With You, featuring Omah Lay, almost did not make the final tracklist of his album 5IVE.
“Man, it’s so crazy because that song almost didn’t make the album. With You was not in anybody’s top five.
“And now look at it go. Every time I was performing it, my heart would just start beating like, what if I didn’t put this song?” he told OkayAfrica.

Davido also recounted how he learned about the Grammy nomination, saying the news came unexpectedly while he was in Dubai, days before his birthday.

“I was in the car, actually, checking a car, and then my phone rang. They were like, ‘Oh yeah, another nomination.’ I was like, wow. Thank God,” he said.

“With You” was released in April 2025 as the 17th track on Davido’s fifth studio album, 5IVE, and has since become one of his most successful recent records, surpassing 100 million streams on Spotify.

Despite the song’s success, Nigeria did not record a win at the 2026 Grammy Awards.
Davido said he is now focused on touring and releasing new music.

He is also billed to perform at Coachella 2026, where he will be the only Nigerian artiste on the festival lineup, performing on April 11 and April 18, 2026, in Indio, California.

-Guardian

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Kunle Afolayan gives reasons to marry many women

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Nollywood filmmaker, Kunle Afolayan, has stirred reactions after advising men to “marry many women” while reflecting on his upbringing in a polygamous home.

 

The actor and producer made the remarks at the watch party of Aníkúlápó: The Ghoul Awakens, with a clip from the event going viral on Tuesday.

Speaking at the event, Afolayan linked his existence and achievements to his late father’s decision to marry several wives.

“Without my father, there wouldn’t have been a KAP Village or even Kunle Afolayan. I am the seventh born of my father because my father had ten wives. For the men, marry many women, or rather be involved with many women. You know why? If my father didn’t, he would not have born me, and that is the honest truth. But today, a few of us are lifting his legacy. Life is short, death is constant. Nobody has life forever. Everybody has a period. Use your period,” he said.

While his daughter, Eyiyemi Afolayan, joined him on stage, the filmmaker compared his childhood experience with his relationship with his children.

“They are lucky. For her, staying by my side is luck. Do you know why? I couldn’t stand it with my father. My father didn’t know my school. My father didn’t know my date of birth. He did not know anything about me other than, ‘He is the son of that person.’ But today, I’m so proud of my father,” he added.

Afolayan also spoke about fatherhood.

“Sometimes when people say ‘Happy Father’s Day,’ I’m always saying whether he pays child support or not, he’s still a father. I have been going to court because I want to get a divorce. I don’t mind being in the witness box, and I experienced the shit, so that I can marry many wives,” he said.

He thereafter prayed for his daughter, praising her role in the series.

“Hephzibah, her mother is the one who gave her the name. I don’t care, but I am proud of you. You started with the film, you did the first season, and now with the second season, you did amazingly well. My good Lord will continue to increase you in wisdom, in knowledge, and in understanding. If this is your path, the good Lord will see you through.”
However, this is not the first time the filmmaker has spoken about his late father’s polygamous lifestyle.

In March 2021, Afolayan told BBC Pidgin that his father, Adeyemi Afolayan, who died in 1996, married 10 wives and had 25 children, a decision he said took a toll on the family.

“I would not want to marry many wives because my father had 10 wives and I knew what happened throughout that period. I knew that really distracted my father. In this age, nobody needs to tell you before you know what’s right,” he said at the time.

He also disclosed that growing up in a polygamous home affected bonding among the children due to language and other barriers.

Afolayan further narrated how he battled poverty in his early years, revealing that he once lived in a one-room apartment in Ebute-Metta and sometimes had to deal with flooding.

“I was born in Ebute-Metta and have lived in one-room apartment before that we even have to grapple with flood sometimes. It’s not shame to say have been poor before. But if you see how l made it, it’s a matter of consistency. My father was a very popular filmmaker and ordinarily, people would expect me to life the kind of live akin to Hollywood stars,” he said.

“But that wasn’t the case. How would one live such life when you’re living in a room with ten women. That doesn’t mean there was no love among us.”

He had advised young filmmakers to start with the little resources available to them while working towards their dreams.

 

-Guardian

 

 

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Court adjourns Ganduje’s corruption trial to April 15

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A Kano State High Court has adjourned until April 15 the trial of former governor Abdullahi Ganduje, his wife, Hafsat Umar, and son, Abdullahi Umar, alongside five other defendants, over alleged misappropriation of public funds amounting to billions of naira.

 

The defendants are facing an 11-count charge bordering on bribery, conspiracy, misappropriation, and diversion of public funds. The remaining accused persons are Abubakar Bawuro, Jibrilla Muhammad, Lamash Properties Ltd, Safari Textiles Ltd, and Lasage General Enterprises Ltd.

At the resumed hearing, the prosecution told the court it was ready to proceed and drew attention to a motion dated November 24, 2025, seeking leave to file additional proof of evidence.

However, defence lawyers raised objections, informing the court that multiple applications were pending and must be resolved before the trial could continue.

Lydia Oluwakemi-Oyewo, counsel to some of the defendants, said the defence had filed a motion dated July 17, 2025, seeking a stay of proceedings.
Adekunle Taiye-Falola, representing the third and seventh defendants, also referred to a separate motion dated May 23, 2025.
In addition, Muhammad Shehu, counsel to the fifth defendant, told the court that an affidavit had been filed notifying it of a pending application for stay of proceedings before the Court of Appeal.
Abubakar Ahmad, counsel to the sixth defendant, informed the court that he had filed a notice of preliminary objection and an application for extension of time to respond on points of law dated February 2, urging the court to fix a date for hearing.

Only Faruk Asekome, counsel to the eighth defendant, indicated readiness to proceed with the trial.

After hearing arguments from both sides, the presiding judge, Justice Amina Adamu-Aliyu, adjourned the matter to April 15 for the hearing of all pending applications and preliminary objections.

The trial has suffered repeated delays due to legal challenges. The high court had earlier dismissed preliminary objections raised by the defence as “incompetent” and affirmed its jurisdiction to hear the case.
That ruling was appealed by the defendants, who argued that the trial court lacked jurisdiction. However, in October 2025, the Kano Division of the Court of Appeal struck out the appeal, citing failure to properly transmit the record of appeal.

-Guardian

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